Glassworker Review: An Beautiful Ghibli-esque Anti-Conflict Tale
Initially, the hand-drawn production could readily pass as an offering from celebrated Japanese animator Miyazaki. Yet this gorgeous movie emerges as a production out of Pakistan first film from artist Riaz.
A Heartfelt Peace-Driven Story
Set in a made-up coastal city throughout the early to mid-20th century, the story centers on the protagonist, whose father is a glassworker named the older glassmaker. When conflict looms, the glass artisan clings to peace-loving views, making him a controversial figure in the community.
Vincent receives a message from an acquaintance Alliz, whose father serves as a military colonel. What follows by way of various poignant memories depicting their shared youth side by side.
War as a Disease
Among her writings, Alliz writes how "Fighting acts as an illness." During this period, the glassworker strikes an agreement that allows the boy far from the war, even if it compromises his a measure of dignity.
He remains within the studio, honing his technique making ever more intricate creations. Glass itself gives some of this production's absolutely ravishing images.
Within a especially disconcerting sequence, bombs go off, breaking structures resulting in shards spread all around, glistening like precious stones.
A Beautiful Movie that has High-Caliber Craftsmanship
Although the visual style attains impressive standards reminiscent of Miyazaki's studio, the overall wonder along with storytelling impact of Miyazaki's creations is not completely realized in this film.
Several voice performances come across as somewhat flat, particularly during the flashback moments. Still, the movie succeeds in convey a strong and timely theme about the costs of war.
Usman Riaz's debut stands as a visually impressive achievement within international animation, even if it may not fully recreate the magical cinematic genius of its own inspiration.
